Actually, the composer of this sound is Johann Sebastian Bach. From the final chord of his Cantata „Vergnügte Ruh, beliebte Seelenlust“, BWV 170, a fragment of 250 Milliseconds duration is taken and played. In various ways the overtones were elicited, done by frequency filters controlled by an acoustic instrument’s loudness via another transforming filter algorithm based on the Fibonacci numbers. This piece is not a strictly ordered time composition but rather an unfolding and evolvement of the frequency structures, of the overtones, of a split second of a given composition. The numbers of Fibonacci give the pace by which the overtones are expanded and transformed into present time.