| 2022 | Rencontre précédente | Music for the Installation Rencontre précédente composed by Bruno Friedmann. The installation was a collective work by Violetta Fink and Bruno Friedmann at the exibition mc4 at Le Séchoir, Mulhouse; 6:40 min |
| 2021 | Cheni’s poem | À la «Sitting in a room » (Alvin Lucier): Composition out of a spontaneous session with a french poem spoken by Cheni. |
| 2020 | L’océan du son | Algorithmic composition (entire project) with 4 attractors (Lorenz, Rössler, Thomas, Lu Chen) for 8 loudspeakers, 13 min |
| 2020 | clicks lightly | Algorithmic composition (entire project) with resonating clicks for 24 mini-loudspeakers; 3:08 min |
| 2020 | Suspicious kind | Background music dedicated to and performed at the exhibition „OSEZ!“ (Le Séchoir, Mulhouse, 2020). Electronic composition for 4 loudspeakers (2xstereo; the stereo speakers are placed in different room parts); 31:26 min |
| 2019 | Sonata spatial | Composition for Marimbaphone and spatial feedback electronic; 16 min, performed by Nagisa Shibata (entire project, see «A room’s sound«) |
| 2019 | Amazonas21 fluid Amazonas21 träge Berg’s Wozzeck Boulez, Sonatine Palinvers24 Webern’s cat | Six algorithmic compositions for six FM-generators (Version 2) with intense serialism => ETS. Different serial rows with different length are used. |
| 2018 | Bêtes fauves | Etude for Marimbaphone and spatial feedback, performed by Nagisa Shibata and Bruno Friedmann |
| 2018 | Melodika 2 | Melodika and feedback electronic performed by Bruno Friedmann. The different space resonances evoked by the Melodika of the «espace d’exposition» de «Le Séchoir» create a unique second voice to the melodica’s sound; 4:16 min |
| 2016 | Le tunnel | Electronic composition for six FM-generators with intense serialism |
| 2016 | Stillstand in F | A 250 ms chord fragment of J.S. Bachs Cantata „Vergnügte Ruh, beliebte Seelenlust“, BWV 170, is played continuously and changed by actively controlled filters. Originally for 4 Loudspeakers; 4:12 min |
| 2016 | Black sheep | Improvisations, Marimbaphone, Bruno Friedmann; 5 min |
| 2016 | Marimba One | Improvisations, Marimbaphone, Bruno Friedmann; 5 min |
| 2013 | Sequenza III, spatialized | Musica per voce femminile by Luciano Berio, intrinsic descriptive spatialisation by Bruno Friedmann |
| 2011 | Litany for a whale (J. Cage) | with live electronic by Bruno Friedmann. Performed within: Dozentenkonzert Neue Vokalmusik, „give me a few words for a woman…“, at Staatliche Hochschule für Musik Trossingen, 04/05/2011 |
| 2010 | Canonic rhythm | Electronic composition for the workshop „choreographer and composer“ |
| 2010 | Gathering moments | Electronic composition for the workshop „choreographer and composer“ |
| 2010 | Straight waves | Electronic composition for the workshop „choreographer and composer“ |